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Inseparable best friends and cousins Autumn and Skylar precariously navigate the vulnerability of female adolescence in rural Pennsylvania. When Autumn mysteriously falls pregnant, she's confronted by conservative legislation without mercy for blue-collar women seeking an abortion. With Skylar's unfailing support and bold resourcefulness, money to fund the procedure is secured and the duo board a bus bound for New York state to find the help Autumn needs
liked It: 52 vote
country: UK
creator: Eliza Hittman
genre: Drama
Cast: Théodore Pellerin, Ryan Eggold

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Filmed in my town lol. 14:37 They Left Him Hanging 😂😂😂. Never rarely sometimes always watch movie release. Song: Muse - The Dark Side (Alternate Reality Version. Now this looks like a good feminist movie. I think you mean The Woman in the Rear Window. Never rarely sometimes always watch movie english. Предложить материал Если вы хотите предложить нам материал для публикации или сотрудничество, напишите нам письмо, и, если оно покажется нам важным, мы ответим вам течение одного-двух дней. Если ваш вопрос нельзя решить по почте, в редакцию можно позвонить. Адрес для писем: Телефон редакции: 8 (495) 229-62-00. TM + © 2020 Vimeo, Inc. All rights reserved. Terms Privacy CA Privacy Copyright Cookies Made with in NYC. January 24, 2020 7:30PM PT Eliza Hittman's teenage abortion drama is a quietly devastating gem. The basic plot of “ Never Rarely Sometimes Always ” is easy enough to describe. A 17-year-old girl named Autumn (Sidney Flanigan) winds up pregnant in a small Pennsylvania town. Prevented from seeking an abortion by the state’s parental consent laws, she takes off for New York City with her cousin Skylar (Talia Ryder), where what they’d assumed would be a one-day procedure winds up proving considerably more complicated. But that synopsis, and the polemical “issue movie” treatment it might suggest, hardly does justice to the surgically precise emotional calibration of writer-director Eliza Hittman ’s exceptional film, which is both of a piece with, and a significant step forward from, her prior youth-in-crisis works “Beach Rats” and “It Felt Like Love. ” At once dreamlike and ruthlessly naturalistic, steadily composed yet shot through with roiling currents of anxiety, “Never Rarely Sometimes Always” is a quietly devastating gem. When we first meet Autumn – introverted, morose, standoffish – she’s singing a confessional folk take on “He’s Got the Power” at her high school talent show, only for a boy in the audience to interrupt her with a shout of “slut! ” A tense exchange in a pizza place with her ineffectually supportive mother (Sharon Van Etten) and openly hostile step-father (Ryan Eggold) follows, and the fact that her heckler is casually sitting a few tables over tells us everything we need to know about the claustrophobia of her hometown. When she gets back to her bedroom, she takes a look at herself in the mirror, and her eyes naturally turn to the growing bump in her lower abdomen. Autumn finds little help at the women’s clinic downtown, where the nurses are outwardly warm and reassuring, though a close read of their word choices makes it fairly clear where they come down on the Roe v. Wade debate. Since an abortion in the state requires a parent’s permission anyway, Autumn makes some hesitant, though plenty harrowing, attempts to end the pregnancy herself. Fortunately her cousin Skylar, with whom she works at a run-down grocery store, quickly figures out Autumn’s secret. Slipping some $10s from the register into her pocket, she wordlessly agrees to accompany her to New York for an abortion, and they hop on a Greyhound the next morning. Once they get there, they find themselves shuttled back and forth through the labyrinthine corridors and roadblocks of the American health care system, which forces them to remain in the city much longer than they’d bargained for. Not having anywhere to stay, they spend the rest of their trip slogging sleeplessly from one station to another, lugging their shared suitcase up staircase after staircase, and though both girls are in way over their heads, Hittman never portrays the city as a menacing urban wasteland – like so much of the adult world, it’s simply indifferent to them. (Which is not to say that the film is without threats. Throughout, Hittman makes us feel the weight of pervasive male attention. Whether it’s a creeper on the subway, a flirtatious older supermarket customer, or even an ostensibly harmless college kid (Theodore Pellerin) who tries to talk up Skylar on the bus, the fear of men barging their way uninvited into these girls’ lives hangs heavy over everything. ) Hittman’s screenplay is a marvel of economy, never wasting time filling in relationship details or backstories when they can be more powerfully hinted at. Most obviously, we never learn the father of Autumn’s unborn child, though the film subtly offers two possible candidates – neither are good, and one is particularly bad. The scene that provides the film’s title is a gut-churning back-and-forth at a clinic that opens several new doors into even darker chapters in Autumn’s past, all of which are left purposefully, and hauntingly, unexplored. We may not quite get under Autumn’s skin, but that’s by design. It isn’t just that she holds everyone at arm’s length, but that she’s a girl for whom survival is contingent upon compartmentalizing trauma, and Flanigan – a first-time actor – has a disarming way of parceling out tiny fragments of Autumn’s inner life, only to quickly raise her defenses again as soon as she realizes that she’s doing it. Skylar is considerably more outgoing, though she knows her cousin too well to try and draw her out. Indeed, the most eerily magical moments in the film are the ones that show Autumn and Skylar’s almost telepathic communication. With just a shared glance, a squeeze of the hand, or a minute spent applying one another’s makeup in a bathroom, Flanigan and Ryder are able to speechlessly convey things to which other films might devote pages of dialogue – not just reactive emotions, but complex decisions, explanations, assurances. Both performances are outstanding. But what’s most remarkable about “Never Rarely Sometimes Always” is the way it manages to honor the gravity of Autumn’s experience without ever sensationalizing it, or allowing the film to veer toward melodrama. It’s clear that taking this trip is one of the biggest, scariest things she’s ever done, but once the film fades to black, it’s easy to imagine Autumn resuming her life more or less the same way it had been before. It’s easy to imagine her never mentioning the experience again, consigning it to yet another of the emotional lockboxes she keeps deep inside. This may as well be the sort of thing that happens to teenage girls all the time. Because, of course, it is. From her first appearance at Bong Joon Ho’s side in Cannes, where he accepted the Palme d’Or for his sensational “Parasite, ” interpreter Sharon Choi has been an unwitting award season MVP. Clad in minimal black and permanently clutching a notebook, the retreating student filmmaker has imparted Bong’s messages of gratitude on the most coveted stages [... ] Charades, the sales firm launched three years ago by former execs at Wild Bunch, Gaumont and Studiocanal, will roll into the Berlinale’s European Film Market with a raft of pre-sales on anticipated French projects, including “The Rosemaker” with Catherine Frot and Laurent Tirard’s “The Speech. ” Charades will unveil the promos of both films, as well [... ] Brussels-based company Best Friend Forever has acquired Kamir Aïnouz’s promising feature debut “Honey Cigar” which was developed with the support of the Sundance Screenwriters Lab and is co-produced by Luc and Jean-Pierre Dardenne, the Palme d’Or-winning directors/producers. Set in Paris in 1993, the film follows Selma, 17, who lives in a bourgeois and secular Berber [... ] After the success of its Elton John biopic “Rocketman, ” Paramount has set filmmaker Dexter Fletcher to direct another high-profile project for the studio. Fletcher will helm “The Saint, ” a reboot of its 1997 action thriller that starred Val Kilmer. The globe-trotting adventure is based on the 1920s novel series written by Leslie Charteris. Seth Grahame-Smith [... ] Jury deliberations in the rape trial of Harvey Weinstein began Tuesday. After a six-week trial, a 12-member panel of New Yorkers will now decide if the former movie mogul goes free or spends the rest of his life behind bars. The case is considered to be a landmark moment for the #MeToo movement in Hollywood, [... ] Documentary filmmaker Rory Kennedy is teaming with Imagine Entertainment for a new series about the tragedy and subsequent scandal over the defunct Boeing 737-Max airplane, sources tell Variety. Kennedy and her husband and producing partner, Emmy-nominated writer Mark Bailey, are teaming up with Brian Grazer and Ron Howard’s unscripted division at Imagine, run by Justin [... ] Piece of Magic Entertainment, the distributor behind recent docs “Apollo 11” and “Marianne and Leonard: Words of Love, ” has picked up international theatrical distribution rights for the underdog sports tale “King Otto. ” The doc follows the improbable path of the 2004 Greek National Soccer team, which went from never winning a single tournament match to [... ].

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Written and directed by Eliza Hittman, the film is an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion. IN THEATERS March 13, 2020 GROUP SALES NEWSLETTER Sign up for Never Rarely Sometimes Always film updates SOCIAL Never Rarely Sometimes Always March 13, 2020.

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The film, which had its world premiere at the 2020 Sundance Film Festival, is inspired by a tragic true story. “ Never Rarely Sometimes Always ” is writer-director Eliza Hittman ’s follow-up to her award-winning 2017 drama “Beach Rats, ” and it stars Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, and Sharon Van Etten. The film, which had its world premiere at the Sundance Film Festival on January 24, 2020, follows a pair of teenage girls in rural Pennsylvania, who travel to New York City to seek out medical help after an unintended pregnancy. The story was inspired by Savita Halappanavar, an Indian woman living in Ireland, who was denied an abortion by the staff at University Hospital Galway, on the grounds that granting her request would be illegal under Irish law. This ultimately resulted in her death from septic miscarriage, which served as a rallying cry for efforts to repeal the Eighth Amendment of the Constitution of Ireland, which prohibited abortion in most instances. Halappanavar’s death led to the passing of the Thirty-sixth Amendment of the Constitution, which repealed the Eighth Amendment, and signed into law the Health (Regulation of Termination of Pregnancy) Act in 2018. For Hittman, reading about Halappanavar’s case was devastating. “I was very sad and started reading about how far women in Ireland would have to travel at that time if they needed an abortion, and thinking about what that journey looks like in other countries, and decided to explore that dilemma in the context of our current climate, ” she said. In “Never Rarely Sometimes Always, ” Autumn, played by Flanigan, is a teenager who works as a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for an abortion in her home state, she and her cousin Skylar (Ryder), put together some cash, pack a suitcase, and board a bus to New York City, which is entirely unfamiliar to both of them. Flanigan said she was drawn to the project because of Hittman’s sensitive, true-to-life script. “I loved how grounded in reality it was, and it was kind of magical in its own way, ” the actress said. And as to what informed her lauded performance, she said: “I just drew from that universal pain that all of these women are feeling, and trying to maintain these rights that are always under threat. ” Co-star Ryder was also drawn to Hittman’s writing. “For me, it was also the script that drew me, and the role that I play, and the fierce love and protection she has for her cousin, ” Ryder said. “And also it was kind of an untold story, and so just seeing that made me want to be a part of it. ” Hittman revealed that she was partly motivated by Cristian Mungiu’s 2007 Communist Romania-set drama, “4 Months, 3 Weeks and 2 Days, ” which told the story of two students who try to get an illegal abortion, during the final years of dictator Nicolae Ceaușescu’s reign. She loved the film, but found inspiration in its flaws. “What really resonated with me was a secondary character who is pregnant, and is a bit shamed for being pregnant, and is considered a little juvenile, careless, and reckless, and I thought, even though the film is stunning, its execution was a bit insensitive towards a character who was actually in crisis, ” she said. “And that’s something I thought about a lot in writing my film. ” For research, Hittman spoke to not just women in similar predicaments as her leads, but also the people whose job it is to assist them. “I talked with social workers at several clinics, like Planned Parenthood in New York, and just tried to hear their stories about their encounters, and tried to empathize and think about what they go through as well, ” she said. Since its Sundance premiere, the film has been well received by critics, scoring a 100% rating on review aggregator Rotten Tomatoes. IndieWire’s Kate Erbland called it a “candid abortion drama” that “hits hard. ” Sundance praises its “bracing clarity and understated emotion, ” describing it as a story of a teenage girl “making an arduous journey, through which a bigger statement emerges — that of reclaiming her body and her spirit. ” The film is scheduled to be released on March 13, 2020, by Focus Features. It was also selected to compete for the Golden Bear in the main competition section at the 70th Berlin International Film Festival. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

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