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casts: Nushrat Bharucha
Genres: Comedy
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Turram khan story. Sachme this tric worked 👌. Katai kaim. Lit music 👌🔥. Turram khan history. Turrebaz Khan Cause of death execution Known for Leading the Indian Rebellion of 1857 in Hyderabad Turrebaz Khan is an Indian revolutionary who fought against the British in Hyderabad State during the Indian Rebellion of 1857 and was hung by the british. [1] [2] Life [ edit] Turrebaz Khan was born in Begum Bazar in erstwhile Hyderabad district. He revolted against the British, despite opposition from the ruling Nizam (British). A street is named after him in Begum Bazar. [3] Turrebaz Khan was a heroic figure in Deccan history, known for his valour and courage. There is a slang in Hyderabad folklore, a positive one — “Turum Khan”. He was a revolutionary figure freedom fighter, who revolted against the British. He attacked the British residency, which now houses the women’s college in Koti in Hyderabad, to free his comrade who was detained on charges of treachery without a fair trial by the British. After a year in prison, he escaped, and was subsequently arrested in a forest near Toopran, in present-day Telegana. Qurban Ali Baig, the talukdar of Toopran was responsible for his arrest. Turrebaz Khan was kept in captivity, then shot, and then his body was hung in the centre of the city to prevent further rebellion. In the context of the Rebellion of 1857, the activities in Delhi, Meerut, Lucknow, Jhansi and Mysore, are well documented, but the activities in Hyderabad are not probably due to the fact that the Nizams were known allies of the British. With Turrebaz Khan, came a brief period when Hyderabad joined the Rebellion. Turrebaz Khan mobilized 6, 000 people to attack the British Residency. Narrating the tale of the unsung ‘Hero of Hyderabad’ – Turrebaz Khan – and every minute detail of the First War of Independence from the neglected, but crucial, Southern Indian perspective, Dr. Devireddy Subramanyam Reddy, Prof. and Head of Department (Retd. ) at S. V University in Tirupati, has authored the ‘Uprising of 1857: A movement that defined India of August 15, 1947’. Important day “Today is a very important day in the State’s history as, on July 17, 1857, Turrebaz Khan led a huge army of discontented masses in ‘British Andhra’ and ‘Nizam Andhra’ against colonialism, ” said Dr. Reddy. While throwing light on the socio-political conditions during that period and oppressive policies of the British, the book secures Turrebaz Khan his rightful place in the nation’s history. “The revolt of 1857 belonged not just to Lucknow, Delhi, Allahabad, Kanpur and other parts of Central India. The Southern regions too rose up in arms against the exploitative colonial rule, and few know of it, ” said Chennuru Anjaneya Reddy, former Director General of Police, releasing the book here on Tuesday. “Contributing to the ignored regional history of Andhra Pradesh, the book reveals how Telangana, Rayalseema and Coastal Andhra revolted against the British Raj, ” he added. Key link When the Nizam was in huge debts and was steadily losing all his power to the British, Turrebaz Khan along with ordinary Muslims in the city attacked the British and they were brutally killed in their attempt, explained Prof K. S. S Seshan, retired HoD of history, University of Hyderabad. “Tracing the revolt as one by the common man – not by the nobility or the Nizam – the book is vital because our freedom will hold no meaning if posterity has no access to such regional histories, ” he said. References [ edit] Bibliography [ edit] Ali, Moulvie Syed Mahdi (1883), Hyderabad Affairs (Volume 3), The Times of India Steam Press, Bombay.
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Nice until. Bollywood News Rajkummar Rao and Nushrat Bharucha team up with Hansal Mehta for a unique social comedy 'Turram Khan' that releases on January 31, 2020. Read more about it. Written By Aditi Sharma | Mumbai | Updated On: October 03, 2019 11:29 IST Rajkummar Rao is all set to team up with Nushrat Bharucha and Hansal Mehta for his upcoming film. Rao debut alongside Nushrat in the movie ‘ Love Sex Aur Dhoka ’ (2010). Hansal has collaborated multiple times with Rajkummar Rao, their last collaboration being ‘ Omerta ’ (2017). The trio is all set to entertain the audience again with the movie ‘ Turram Khan. ’ Turram Khan is slated to hit the theatres on January 31, 2020. About the movie- Turram Khan The film is based on a small town in Uttar Pradesh and is a unique social comedy. The movie stars Rajkummar Rao and Nushrat Bharucha in lead roles. The movie is co-produced by Ajay Devgn, Luv Ranjan, and Ankur Garg. Mohammed Zeeshan Ayyub is also part of the movie. The first announcement of the movie was made by the director Hansal Mehta on his social media account. On September 10, 2018, he tweeted about the movie, saying that it felt like he is making a debut all over again. He divulged details about the lead star cast as well as the production team in the same post. Hansal Mehta announced the release date of the movie to be August 31, 2019. Hansal tweeted about the release date on the occasion of Rajkummar Rao’s birthday. Also Read| Rajkummar Rao collaborates with Hansal Mehta for 'Turram Khan' Rajkumar Rao also expressed his excitement about the movie on Twitter. The actor said that he is excited to collaborate with Hansal Mehta. He reportedly quoted that Turram Khan is an interesting story. Rao also wrote that he is looking forward to the fun association with the production team for Turram Khan. In a recent interview, Nushrat Bharucha said that she is very excited about Turram Khan. She said it is going to be a very different movie. She expressed her desire to do the kind of cinema, which this movie offers. Nushrat Bharucha informed that she always wanted a Hansal Mehta film where they travel to small villages and shoot. Also Read| Rajkummar Rao & Nushrat Bharucha-starrer Turram Khan release date out Rajkummar Rao on the work front: Rajkummar Rao was last seen in the movie ‘Judgemental hai kya’ (2019). He is currently busy, shooting for the movie ‘Made in China’. His other upcoming movies include Shimla Mirchi, Swagat hain (announced) and Priceless (announced). Also Read| Nushrat Bharucha: Had to get my game together for 'Turram Khan' Nushrat Bharucha on the work front: Recently, Nushrat Bharucha was a part of a blockbuster hit ‘ Dream Girl’ alongside Ayushmann Khuranna. Apart from Turram Khan, she has one more upcoming movie ‘ Hurdang’, which is scheduled to release in 2020. Also Read| Rajkummar Rao: Here's how the actor is giving major fashion goals Get the latest entertainment news from India & around the world. Now follow your favourite television celebs and telly updates. Republic World is your one-stop destination for trending Bollywood news. Tune in today to stay updated with all the latest news and headlines from the world of entertainment. First Published: October 03, 2019 11:29 IST.
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Turram khan history in hindi. Turram khan full movie. Already recognised as one of India’s best known theatre personalities and India’s youngest Padma awardee in theatre, playwright-director-actor Mohammad Ali Baig has received multiple national and global honours and awards. This time, beginning August first week, his well-known play, “Quli: Dilon ka Shahzaada”, as well as his new production “1857: Turrebaz Khan” have both been invited to the Edinburgh Fringe Festival 2016. While “Quli” has already seen several productions across the world, “Turrebaz Khan” will be premiering at the Edinburgh Fringe Festival, before travelling to London and then returning to Hyderabad. Excerpts from an interview: Tell us about your new play, “1857: Turrebaz Khan”, and its central character? Turrebaz Khan was a heroic figure in Deccan history, known for his valour and courage. There is a slang in Hyderabad folklore, a positive one — “Turram Khan”. When you call someone that, you are calling him heroic. That comes from Turrebaz Khan’s name. He was a revolutionary figure freedom fighter, who revolted against the ruling design of the 4th Nizam of Hyderabad and the British. He attacked the British residency, which now houses the women’s college in Koti in Hyderabad, to free his comrade who was detained on charges of treachery without a fair trial by the British. He was caught and detained, but even the jail he was put in couldn’t hold him. After a year, he escaped, and then was caught in the forest of an area called Toopran, near Hyderabad. The man who caught him, Qurban Ali Baig, was the talukdar there. Turrebaz Khan was kept in captivity, then shot, and then his body was hanged in the centre of the city to prevent further rebellion. That is his story. When you read about 1857, places like Delhi, Meerut, Lucknow, Jhansi and Mysore, all of them are mentioned, but Hyderabad isn’t. This is because the Nizams were allies of the British, and there was no reason to fight. But with Turrebaz Khan, there came a brief period when Hyderabad joined the struggle, the uprising. Does the play follow Turrebaz Khan’s life? No, the structure of the play is very interesting actually. It follows the last one hour of his life in captivity, and that one hour is also the duration of the play. It shows the difference between the man who has been captured, and his captor, Ali Baig. They are both sons of the same soil, are of the same colour, but they stand on opposite sides. Ali Baig has allied with the British. He is a man who is privileged in more ways than one, and he has no problem with who his allies are — Indians, British, French. His life is about his own family and prosperity. From his point of view, Turrebaz is “naïve”, and immature. For Turrebaz, Ali Baig has a self-serving agenda. How does the play deal with this clear difference between the two men? There are two people, one placating the system, another one going against it in the name of his motherland. Neither one is shown as the villain. Both are victims of their situation. The play is about discrimination and about oppression, two issues that are relevant anywhere in the world. It can be discrimination of blacks and whites, of haves and have nots, east and west. The play brings both sides of the story out by bringing out both characters. There is very interesting wordplay between the two, philosophical debates which explore different sides of the story. At one point, Ali Baig says to Turrebaz that you talk about leaving your home to fight for your motherland, but what about your own mother at home? What about your aging father, who needs you? Before you, there have been so many others who tried to revolt against the British empire, and look what happened to them. To this, Turrebaz replies that his motherland is more important to him than his mother; that if he is killed, the world will remember him. No one will remember Qurban Ali Baig. There are many such debates and wordplay between the two characters and the play is an intense drama. I’ve used live percussion— marfa, dhol, etc. — to complement the dialogues. The research must have been challenging. Do you supplement it with a lot of fiction? A lot of research went into this play. It is definitely a challenge, because you can’t fictionalise plays like these too much. You have to pay due respect and maintain sanctity, when you portray these historical figures, since there is no one around to correct the errors. Forget political correctness, you have a responsibility of not putting them in a light that is not morally and ethically right. You can’t sit in judgement. For this play, we have picked the aspects of the story that are relevant to today’s global scenario, since it has to make sense to lot of audience everywhere. My wife, Noor, who is also my co-playwright, has done most of the research, and a lot of it is also based on research by authorities who have written on Turrebaz. You spoke about the need to make your play’s relevance to audience across the world. Tell us about the responses you get from these audience? How do you see them connecting to your work? If you take “Quli”, which is the legendary love story on which Hyderabad is supposed to be founded, or “Spaces”, which is about the thought of sticking to your home and heritage, and about traditionalism versus modernism; both could be about people and lives anywhere in the world. We don’t stick to judgement; we don’t say who is right and who is wrong. Our purpose is to bring out an issue, and let the audience decide their own views. I’ve taken these plays to English, Turkish, Romanian, Bosnian, Iranian, American audiences, to name a few. “Spaces” moves them to tears; many of them come backstage to me and tell me that this is their story. “Quli” too, sees the audience connecting to it. When they are moved, it moves me as a playwright; it shows me that the kind of theatre I believe in is working, that despite the barrier of language and context, people can connect with these plays. I hope that “1857: Turrebaz Khan” will do that same. Your productions, held in forts and ruins, are known for usually being larger than life. How difficult is it to travel with these productions? The earlier plays that I mounted were really huge and I was stuck with own vision of them, so we couldn’t travel. But since the last few plays, like “Spaces”, “Quli” and now “Turrebaz”, I’m still mounting them on a big scale, but I’ve tried to make them production sensible. I keep the portability in mind, so that now we are travelling light, but the end result is still grand. Of course, adapting a play I stage in forts and ruins to a festival setting is difficult, but so far, we have managed to do it successfully.
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